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Frederick William IV, King of Prussia (1795 -1861), at Cologne Cathedral in 1848 (colour litho)
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Frederick William IV, King of Prussia (1795 -1861), at Cologne Cathedral in 1848 (colour litho)
725474 Frederick William IV, King of Prussia (1795 -1861), at Cologne Cathedral in 1848 (colour litho) by Rohling, Carl (1849-1922); Private Collection; (add.info.: Frederick William IV, King of Prussia (1795 -1861), at Cologne Cathedral in 1848. Illustration from House of Hohenzollern in Pictures and Words by Carl Rohling and Richard Sternfeld. Published by Martin Oldenbourg in Berlin, c 1900.); © Look and Learn
Media ID 22954358
© Look and Learn / Bridgeman Images
Archbishop Bishop Cathloic Cathoic City Of Cologne Cologne Dynasty Frederick William Iv Hohenzollern House Of Hohenzollern King Of Prussia Monarchs Roman Catholicism Vestments Catholic Religion Catholics Friedrich Wilhelm Iv Imam Prussian Religious Role
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EDITORS COMMENTS
This print showcases Frederick William IV, the King of Prussia from 1795 to 1861, during a momentous visit to Cologne Cathedral in 1848. The vibrant color lithograph was created by Carl Rohling (1849-1922) and is now part of a private collection. In this historical image, we witness the convergence of royalty and religion as Frederick William IV stands within the majestic walls of the cathedral. Dressed in regal attire, he exudes an air of authority and grace befitting his position as both king and bishop. This unique combination reflects the close relationship between church and state during this era. The House of Hohenzollern, to which Frederick William IV belonged, is renowned for its long-standing influence on German history. As a member of this dynasty, he played a pivotal role in shaping Prussian politics and culture. The composition beautifully captures not only the grandeur of Cologne Cathedral but also highlights the significance of Christianity in German society at that time. The illustration comes from "House of Hohenzollern in Pictures and Words" authored by Carl Rohling and Richard Sternfeld around 1900. Through this remarkable piece, we are transported back to an era when monarchs held immense power alongside religious leaders. It serves as a testament to Germany's rich heritage while offering us glimpses into the complex interplay between faith, monarchy, and history.
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