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Nailsea jug and flasks, late 18th-first half of the 19th century, (1946). Creator: Unknown

Nailsea jug and flasks, late 18th-first half of the 19th century, (1946). Creator: Unknown


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Nailsea jug and flasks, late 18th-first half of the 19th century, (1946). Creator: Unknown

Nailsea jug and flasks, late 18th-first half of the 19th century, (1946). Jugs made from striped glass. The term Nailsea glass is often used to describe almost any glass item in this style. Pieces were often decorated with white lines, pulled or combed to give a feathered effect. Nailsea glassworks near Bristol gave its name to the style, but not all Nailsea glass was made here. From " English Glass, by W. B. Honey. [Collins, London, 1946]

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Media ID 19777806

© The Print Collector/Heritage Images

Britain In Pictures Collins Flask Honey Social History Striped Stripes Vase Wb Honey William Bowyer William Bowyer Honey William Collins William Collins And Sons William Collins Sons William Honey


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> Architecture > Industrial

> Arts > Artists > C > William Collins

> Europe > United Kingdom > England > Bristol > Bristol

> Europe > United Kingdom > England > London > Related Images


EDITORS COMMENTS
This print showcases a collection of Nailsea jugs and flasks, dating back to the late 18th century and the first half of the 19th century. The creator of these stunning glass pieces remains unknown, adding an air of mystery to their allure. Made from striped glass, these jugs epitomize the distinctive style known as Nailsea glass. The term "Nailsea glass" is often used broadly to describe any glass item in this particular style. These pieces were typically adorned with delicate white lines that were pulled or combed, creating a beautiful feathered effect. While Nailsea glassworks near Bristol lent its name to this unique style, it's important to note that not all Nailsea glass was produced there. Capturing a snapshot of English history in the mid-20th century, this print is featured in W. B. Honey's book "English Glass". Published by William Collins in London in 1946, it offers valuable insights into British social history and craftsmanship during that time period. With its vibrant red hues and intricate patterns, this image transports us back through centuries while showcasing the skillful artistry behind each piece. It serves as a reminder of Britain's rich industrial heritage and cultural contributions within the world of decorative arts.

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