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Grave of the Black Dwarf, 1845. Creator: Unknown
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Grave of the Black Dwarf, 1845. Creator: Unknown
Grave of the Black Dwarf, 1845. The headstone of...a poor deformed creature called David Ritchie, who, when even arrived at mans estate, was only about three feet five inches in height. He was much deformed, and obtained amongst his neighbours...the nick name of " Bowed Davie". When...he died, he was found to have hoarded twenty pounds - like a canny misanthrope as he was. His demise took place, after a few days illness, in December, 1811, at the age of seventy one. He was buried in Manor churchyard [in Peeblesshire in the Scottish Borders]; a rowan-tree (mountain ash) was planted at the head of his grave - a part of it now remaining to mark the spot. Now, however, it is more effectually rescued from oblivion by a head-stone, which has been recently erected by the Messrs. W. and R. Chambers, the eminent litterateurs and publishers of Edinburgh. From " Illustrated London News", 1845, Vol VII
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Media ID 20549584
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Grave of the Black Dwarf, 1845 - A Testament to Resilience and Misunderstanding
EDITORS COMMENTS
. This print captures the solemnity of the "Grave of the Black Dwarf" a poignant reminder of human resilience in the face of prejudice. The headstone marks the final resting place of David Ritchie, known as "Bowed Davie" due to his severe physical deformities. Standing at only three feet five inches tall, he was an outcast amongst his neighbors. Despite his hardships, Bowed Davie managed to accumulate twenty pounds during his lifetime – a testament to his canny nature as a misanthrope. In December 1811, after succumbing to a brief illness at seventy-one years old, he was laid to rest in Manor churchyard in Peeblesshire, Scotland. Atop his grave stands a rowan-tree (mountain ash), its remaining branches serving as a poignant marker for this forgotten soul. The significance of Bowed Davie's story is further underscored by the recent erection of a headstone by renowned Edinburgh litterateurs and publishers Messrs. W. and R. Chambers in 1845. This act ensures that Bowed Davie's memory will not be lost to oblivion but rather preserved for generations to come. This photograph invites contemplation on themes such as disability rights, societal prejudices, and our collective responsibility towards marginalized individuals throughout history. It serves as both an artistic representation and historical documentation from Britain's nineteenth century era – capturing not just one man's life but also shedding light on broader concepts like religion, death, and country. Through this image we are reminded that even amidst adversity and misunderstanding lies stories waiting patiently for their voices to be heard once again.
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